Swiss design traditions
One of the more noticeable visual features of the giroflex 40 is the “O” shape on the backrest, a feature that drew inspiration from Swiss design as well as the design language of previous Giroflex chairs.
“One aspect of the Giroflex design language we perceive is an organically sculpted shape built around a circle or sphere. You can see this developed in the chairs made by Paolo Fancelli - giroflex 313 and giroflex 353. We thought it would be interesting to link this idea also to typography – something for us which is very tightly linked to Switzerland – and perhaps not have a strictly geometric circle as seen previously.”
The International Typographic Style, otherwise known as Swiss Style, has dominated our screens, advertising, and books for over 60 years, with Max Miedinger’s Helvetica Neue, for instance, probably the most successful typeface in all of history. The principles of Swiss Style are simplicity, readability, and rationality, ideals not only important for typefaces but also equally transferable to products such as the giroflex 40.
As an international design house, ITO Design enjoys a multicultural approach to designing its products. With offices in both Germany and Switzerland, they also have a natural affinity to Swiss Design principles. Japanese designer Hiroyuki Morita, who studied at the prestigious Swiss design school ECAL, presented the initial concept for giroflex 40. (In fact, one of his professors was BIG-GAME founder Augustin Scott de Martinville, designers of several Giroflex chairs.)
Hiroyuki Morita; “Historically Switzerland has played a big role in developing typography. We came up with this idea to imbue the Swiss heritage of Giroflex into the new chair. It has become so common these days. Everyone has access to it and we have lost how ground-breaking it really was. It’s not flashy, it uses simple shapes, but in a way that is distinctive.”